I’ll admit it: I’m not the biggest fan of horror movies. I’m the kind who ends up sleeping with the lights on after watching anything scary, replaying scenes in my head all night.
But after attending the premiere night of ‘Near Death’ last October 19 at SM The Block Cinema, I found myself both terrified and deeply moved, proof that this isn’t just your typical Filipino horror flick.
Directed by Richard Somes, ‘Near Death’ is the only Filipino entry in the 2025 Sine Sindak Horror Film Festival, showing in 86 SM Cinemas starting October 29. It stars Charlie Dizon, RK Bagatsing, Xyriel Manabat, and Lotlot de Leon, alongside Soliman Cruz, Nikka Valencia, and Joel Torre — a powerhouse cast that elevates the film beyond conventional genre fare.
Story. ‘Near Death’ tells the story of Julia (Charlie Dizon), a woman who survives a suicide attempt but finds herself haunted by dark entities competing to possess her body. As she struggles to distinguish between hallucinations and reality, she must confront not only the horrors around her but also the trauma, guilt, and emptiness consuming her from within.
She is supported, and sometimes doubted, by her sister Mia (Xyriel Manabat), who tries to understand her mental and emotional state while believing much of what Julia sees is imagined. Julia also meets Lucas (RK Bagatsing), a mysterious man whose intentions remain uncertain, blurring the line between savior and threat.
‘Near Death’ is a solid horror movie that remains relevant — especially in today’s world where mental health awareness is finally being discussed more openly. What makes it stand out is how it integrates those issues into its story, moving away from monsters, gore, and bloodbaths to focus on the horror that comes from within the human mind.
The jump scares are masterfully executed, they arrive when least expected, perfectly timed with the buildup of tension. The “monsters” in the film also contribute heavily to the thrilling factor, bringing genuine unease to each encounter. While a few scenes feel overcrowded when too many entities attack at once, the overall choreography and design of these sequences remain impressive.
The lighting and cinematography deserve special mention, they elevate the eerie atmosphere with haunting precision. The dim glow of the apartment, paired with the shadows creeping at every corner, creates a “chef’s kiss” aesthetic that amplifies the fear.
Acting. The performances in ‘Near Death’ are phenomenal across the board. Charlie Dizon delivers a gut-wrenching portrayal of Julia’s descent into fear and confusion. Her performance is layered — not hysterical, but human. You feel her exhaustion, loneliness, and desire to be free from her demons.
Xyriel Manabat matches her perfectly as Mia, the sister torn between compassion and skepticism. Their confrontation scene is one of the most powerful in the film, a raw, emotional exchange that many will find painfully relatable. It reflects how people often invalidate mental health struggles, dismissing them as spiritual weakness instead of trauma. The dialogue mirrors real-life situations where instead of being helped, people are told to “just pray” or “ask for forgiveness,” ignoring the deeper pain beneath.
RK Bagatsing’s portrayal of Lucas adds mystery and complexity. His connection to Julia raises questions, why her, and what does he truly want? His presence keeps the audience guessing until the very end.
Meanwhile, Lotlot de Leon’s character feels intriguing yet underdeveloped. She appears to hold crucial knowledge about Julia’s condition, but her arc fades as the story progresses. While her inclusion hints at something significant, her role could’ve been fleshed out more to strengthen the narrative’s emotional impact.
Director’s Signature. Richard Somes crafts ‘Near Death’ with the precision of a filmmaker who knows that true horror doesn’t always come from blood or monsters — but from pain, guilt, and survival. He keeps the story intimate, using small spaces, quiet moments, and heavy silences to create tension.
The film’s technical finesse, from sound design to lighting, complements its deeper themes, making it a haunting reflection on mental health, faith, and the human need for redemption.
LionhearTV‘s Verdict. ‘Near Death’ is not just another horror movie — it’s a mirror to those silently battling their inner ghosts. With its strong performances, impressive production design, and psychological depth, it proves that Filipino horror can be both terrifying and meaningful.
It’s chilling, thought-provoking, and deeply emotional — the kind of film that stays with you long after the credits roll.
Rating: ★★★★☆ (3.5/5)
‘Near Death’ screens in 86 SM Cinemas nationwide starting October 29, 2025, as part of the Sine Sindak Horror Film Festival. (with some thoughts from Erik James Cruz)
