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Home»Music»‘UMAALIGID’ — A Pop-Rock Crime Anthem That Doesn’t Flinch – An MV/Track Review
Music News Reviews

‘UMAALIGID’ — A Pop-Rock Crime Anthem That Doesn’t Flinch – An MV/Track Review

Je CabebeBy Je CabebeAugust 2, 2025No Comments3 Mins Read
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What do you get when two titans of Philippine music decide not to play nice? “Umaaligid” — a charged-up, genre-bending anthem drenched in paranoia, power, and pure artistic audacity.

This isn’t your typical P-pop meet-cute. Geronimo and SB19 return with a second collab that swaps polish for punch, choreography for chaos. Their first outing, “Ace Your World,” was esports-glam—this one walks straight into a crime scene and dares you to flinch.

The Sound: Industrial Vibes with Synths That Slither Produced by a dream trio—Thyro Alfaro, RADKIDZ (Pablo and Josue), and Sarah herself—the track crackles with pop-rock angst layered over ominous techno pulses. Synths seep in like smoke through cracked walls. There’s a digital underbelly to the song’s tension, making even its silences feel suspicious.

Sarah drops a rap verse that’s ice-cold and razor-sharp, trading high notes for heat. SB19 flips their usual pristine delivery into something jagged, barked, and wild. The chorus isn’t asking for your affection—it’s a siren blaring through a neighborhood on lockdown.

The Music Video: Mugshots & Mayhem Directed by Simon Te, this isn’t a music video—it’s a short film with the mood of a hostage standoff. The narrative opens with Victor unconscious at a party that turned hostile. Then come the flashbacks: cheating, insults, broken guitars, assault. Each SB19 member has a personal beef, and by the end, they’re not handing out justice—they’re serving vengeance.

Geronimo is magnetic. Her stare down the camera lens in the lineup scene? Enough to make your spine stiffen. The visuals are grimy, bathed in harsh lighting and bruised color palettes. There’s no soft focus, no sugarcoating. Just blood, reckoning, and silence that screams.

Artistic Rebirth: Icon vs Idol, Both Transformed SB19’s descent into heavier storytelling isn’t just a phase—it’s an evolution. “Simula at Wakas” teased a darker tone, but “Umaaligid” delivers it. Geronimo, now helming her own label G-Music, uses this collab to show she’s still the queen—and she can rap in combat boots if she wants to.

What makes this track cinematic isn’t the video—it’s the refusal to follow formula. The structure disorients, the lyrics burn slow, and nothing about it feels safe. It doesn’t just tell a story. It scratches at your paranoia until you feel part of the betrayal.

Final Verdict: Grit Over Gloss, Impact Over Influence “Umaaligid” thrives in its messiness. It’s theatrical without the pretense, emotional without manipulation. Synths haunt. Lighting bruises. Lyrics cut. And together, Geronimo and SB19 throw out the rulebook and punch through the pop veneer with bare fists.

This is the kind of collab that doesn’t beg for chart positions—it kicks the door down and leaves a trail.

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Sarah Geronimo SB19 Umaaligid
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